地板(2019)

在四年的时间里，卡米拉·弗雷塔斯记录了巴西Goiás州一群无地工人的生活。自2015年以来，工人们占领了一部分工厂场地，并要求进行土地改革。Chão提供了对该组织日常事务的深入了解，这些日常事务分为耕种土地、政治活动和谈论美好未来可能是什么样子。因此，这部电影深入探讨了当地政治行动的微观结构，同时也展示了无地工人运动对巴西政治、全球资本和农业产业的依赖程度。在坦诚的现实主义和强大的氛围之间占据一个空间，这些氛围从诗意的离题中汲取力量，例如声带上刻意夸张的瞬间、印象派的特写镜头和电影的微观叙述，Chão记录[展开全部]

　在四年的时间里，卡米拉·弗雷塔斯记录了巴西Goiás州一群无地工人的生活。自2015年以来，工人们占领了一部分工厂场地，并要求进行土地改革。Chão提供了对该组织日常事务的深入了解，这些日常事务分为耕种土地、政治活动和谈论美好未来可能是什么样子。因此，这部电影深入探讨了当地政治行动的微观结构，同时也展示了无地工人运动对巴西政治、全球资本和农业产业的依赖程度。在坦诚的现实主义和强大的氛围之间占据一个空间，这些氛围从诗意的离题中汲取力量，例如声带上刻意夸张的瞬间、印象派的特写镜头和电影的微观叙述，Chão记录了抵抗中的生活，在那里，希望有时似乎是唯一能够对抗的东西。世界的现实。就在最近，巴西新总统贾尔·布尔索纳罗（Jair Bolsonaro）将无地人列入国家敌人名单，并呼吁土地所有者拿起武器保卫自己的财产。\nOver a period of four years, Camila Freitas documented the lives of a group of landless workers in the Brazilian state of Goiás. Since 2015, the workers have occupied a portion of a factory site and demanded land reform. Chão provides insights into the group’s everyday routine, which is divided up between tilling the land, political activism and talk of what a better future might look like. The film thus delves into the microstructures of local political action while also demonstrating just how dependent the Landless Workers Movement is on Brazilian politics, global capital and the agricultural industry. Occupying a space between frank realism and potent atmospherics that draw their power from poetic digressions, such as deliberately exaggerated moments on the soundtrack, impressionistic close-ups and cinematographic micro-narrations, Chão documents life in the resistance, where hope can sometimes seem like the only thing capable of countering the realities of the world. It was only recently that Jair Bolsonaro, the new president of Brazil, added the landless to the list of enemies of the nation and called on landowners to take up arms to defend their property.[收起部分]